Sasha Scott is a composer, producer and violinist born and based in London.
Her work moves between acoustic and electronic music, often merging the two to create hypnotic sound worlds that blur the lines between the organic and the synthetic. She has been commissioned by the London Symphony Orchestra, 12 Ensemble, Aurora Orchestra, Sean Shibe, BBC Symphony Orchestra, Beijing Music Festival, and Her Ensemble, with performances across the UK, Europe, USA and Asia.
She has performed solo live electronic sets at Hackney Empire (alongside the London Symphony Orchestra), the Purcell Room, The Pickle Factory, and TACO! Her solo EPs, Spiral (2023) and Angel (2024), were both featured in Rat Heart / Tom Boogz’s Guest Charts for Boomkat (2023–2024), as well as on The People’s Party with Afrodeutsche on BBC Radio 6 Music, NTS Radio, and BBC Radio 3’s New Music Show. Collaborations include remixing Ben Corrigan and Robert Ames’ track Chrome Ocean, released on Modern Recordings, and scoring a 30-second film for Burberry’s Outerwear Campaign 2024.
As an arranger, she has worked with ensembles including the London Contemporary Orchestra, Royal Northern Sinfonia and London Sinfonietta, and has created live concert arrangements for artists such as JADE, Klein, Loraine James, Hania Rani, Afrodeutsche and Anna Meredith. For television, she solely orchestrated the score for The Control Room (BBC One), composed by Carly Paradis.
She regularly performs as a violinist with the London Contemporary Orchestra and Chineke! Orchestra. Recent highlights include session work on Wall of Eyes by The Smile, and on film scores including Wuthering Heights, Bugonia and One Battle After Another. She has performed at venues and festivals across the UK, Europe and USA, including the BBC Proms, BBC Radio 6 Festival, F175 Live and the Burberry SS23 runway show.
She graduated from the Royal College of Music in 2024 with a BMus, studying composition with Mark-Anthony Turnage and violin with Yuri Zhislin. She was a winner of BBC Young Composer of the Year (2019) and was shortlisted for the Arts Foundation Futures Awards for Music (2026).